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Articles by: I. I,
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Fatti e Storie
L'esposizione è stata possibile grazie ai restauri effettuati presso il monastero benedettino di Praglia, mentre il Catalogo, curato da Fra Carlo Bottero, Stefano Brufani, Flavia de Sanctis e coordinato da Cristina Roccaforte, è edito da Skira.19 tra manoscritti e documenti pontifici del XIII e XIV secolo, riguardanti il Santo di Assisi, provenienti dal Fondo Antico della Biblioteca comunale presso la Biblioteca del Sacro Convento di San Francesco in Assisi. Documenti che raccontano le tracce, che più da vicino testimoniano la vicenda storica del Santo, le parole, testi tra i più antichi a iniziare da Tommaso da Celano, contemporaneo di san Francesco, che riportano la biografia del poverello di Assisi e le immagini, nelle miniature che lo raffigurano sugli antichi manoscritti del XIII e XIV secolo. Opere uniche, rare, inaccessibili al pubblico, compresa la più antica copia degli scritti del Santo, il Codice 338, il quale oltre a contenere il testo della Regola dei Frati Minori raccoglie l'originale stesura de Il Cantico delle Creature dettato dal Santo ad un Suo confratello.“Tracce, parole, immagini'” degli inizi del Francescanesimo, che documentano una testimonianza umana e spirituale unica di umiltà, sobrietà e carità e lanciano un messaggio di accoglienza, incontro e dialogo senza steccati e che, al contempo, lanciano un messaggio e rappresentano una bussola puntata verso l'amore e l'accoglienza nel luogo più importante per gli Stati del mondo. Risuoneranno nel Palazzo di Vetro dell'ONU le parole della sua “Lettera ai reggitori dei popoli”, in cui Francesco esortava i “podestà, consoli, magistrati e reggitori ovunque'” a impegnarsi per il bene comune.“Quello che ci preme è che i membri dell’Onu possano leggere e ascoltare la voce di Francesco; è come se oggi, in un momento di grandi conflitti, in un momento in cui l’ambiente è deturpato, in un momento in cui i poveri avanzano e crescono sempre di più, sanFrancesco possa dire di nuovo la sua parola in un contesto così significativo”, ha sottolineato padre Enzo Fortunato, direttore della Sala Stampa del Sacro Convento di Assisi.La mostra “Frate Francesco: tracce, parole, immagini” si inaugurerà il prossimo 17 novembre, alle 18.00, nelle sede dell'ONU e successivamente si sposterà, il 2 dicembre, presso la Brooklyn Borough Hall, rimanendo negli Stati Uniti fino al 14 gennaio 2015."La visita di Papa Francesco negli Stati Uniti potrebbe avvenire in coincidenza della prossima Assemblea Generale al Palazzo di Vetro, che segnerà i 70 anni dalla fondazione dell'organizzazione internazionale", ha spiegato l'osservatore permanente della Santa Sede all'Onu, l'arcivescovo Bernardito Auza in occasione della presentazione della mostra su San Francesco, che verrà inaugurata lunedì all'Onu.Tra le tappe del viaggio papale negli Usa ci dovrebbero essere Washington e Filadelfia: "Dovrebbe venire in quei giorni anche a New York, e sicuramente in quel caso parlerà dal podio dell'Assemblea Generale", ha detto Auza. "Queste però al momento sono congetture, e una speranza", ha aggiunto.Tanti gli appuntamenti che accompagneranno questa unica e importante Mostra negli Stati Uniti: lunedì 17 novembre, presso la Casa Italiana Zerilli-Marimò, sede del Dipartimento di Italianistica della New York University, si terrà un convegno sulla figura di san Francesco, al quale prenderanno parte esperti di francescanesimo. Il 24 novembre presso il Lincoln Center ci sarà un importante concerto eseguito dalla New York Orchestra diretta dal Maestro Boris Brott con le musiche del Maestro Perpetuo della Cappella Sistina, Cardinale Domenico Bartolucci. Il 2 dicembre l'Helianthus ensemble terrà un concerto con le riproduzioni degli strumenti storici del Sacro Convento di Assisi presso la Brooklyn Borough Hall. -
Events: Reports
The barbaric murder of Matteotti, committed on 10 June 1924, marked the end of the so-called ‘legalistic’ period of the Mussolini administration. Prior to that date, Mussolini had been skillfully navigating between opposite pressures that were being brought to bear by intransigent currents of Fascism, on the one side, and from moderate sectors of Fascism, on the other. The hardliners were guided by a totalitarian conception of the political struggle, a point of view that would be satisfied with nothing less than the establishment of a single-party regime; they considered the moderate outcome of the March on Rome to have been a betrayal of the Fascist revolution, resulting as it had in the formation of a coalition government that included men and political parties to which they were firmly opposed.
The other, more moderate Fascists, to the contrary, considered the revolutionary period of Fascism to have come to an end with the formation of the Mussolini government, and upheld the need for a ‘normalization’ of Italian political life. Aligned with the moderate Fascists were the liberal political groups, allies of the Mussolini government, who demanded a more determined suppression of political violence, as well as a return to the presence in the Italian political process of the traditional dialectic between the majority and various opposition parties. The head of Fascism had made concessions to both alignments, and was pursuing a strategy of ‘duplicity.’ That strategy allowed him on the one hand to display a purely formal respect for the political procedures and the institutions of the liberal state, along with a certain degree of tolerance of the criticism leveled by the opposition forces; at the same time, of course, he was encouraging the use of violence and was establishing his own secret police, the so-called Fascist Ceka (modeled on the Russian Cheka), created for the purpose of carrying out actions to intimidate the most active anti-Fascist leaders. Between 1922 and 1924, therefore, a very specific political atmosphere had taken form. Despite Mussolini’s repeated assurances of his respect for the rule of law, acts of violence had continued to be perpetrated against the opposition.
It was Mussolini himself, as early as the period immediately following the March on Rome, who had insisted on the establishment of the Ceka. He did so because he considered the liberal institutional context, within which he realized he was forced to operate for the foreseeable short term, as an obstacle to the hegemonic and totalitarian prospects of Fascism. The need for Fascism to work around the garantismo (‘respect for civil rights’) of the liberal system had been nicely summarized in a statement he made, a few days after he formed his government. He had explained to his closest colleagues that “all governments undergoing a transition need certain illiberal branches to take care of their adversaries,” and also that “control of the official agencies of the state” would allow the Fascist government to “drape a cover over all its illegal acts of violence.”
One particular source of concern for the Mussolini government was the relentless activity of Matteotti, the young secretary of the Partito Socialista Unitario (PSU, or unified Socialist party). That party had been established, twenty days prior to the March on Rome, by the social-reformist component led by Turati, in a breakaway from the PSI. Matteotti was born in Fratta Polesine on 22 May 1885. After taking his degree in law at the University of Bologna, he joined the Socialist party at the turn of the twentieth century.
Matteotti’s attitude toward the Fascist government was always rigorously intransigent. He was unwilling to consider any truce, any accords, or collaboration of any kind between Socialism and Fascism.
He had begun traveling earlier than most, developing a personal culture that was cosmopolitan and open to the influences of the most mature European Socialism. He was one of the few to grasp on a profound level the laws of economics and of finance, and, as has been written, “he read corporate balance sheets the way other people read crime novels.” For these gifts, he was used by his party in the parliamentary commissions on economic and financial activities.
During the session of 30 May 1924, the Chamber of Deputies was the site of serious incidents. The Fascist government, in violation of established parliamentary procedure, accepted and followed until then, had proposed an approval en masse of the newly elected members of the majority. Matteotti had at that point taken the floor and, after depicting an unsettling national panorama of violence and criminal behavior, he had provocatively demanded the blanket annulment of the elections. Matteotti’s speech was repeatedly interrupted by furious and extended reactions from the majority, but the young Socialist parliamentarian had refused to be intimidated, and had courageously continued his speech to the very last word. As he was exiting the Chamber of Deputies, to his colleagues, who were eagerly congratulating, it is reported that he replied, “Now you need to get ready to hold a wake for me.” [From: Mauro Canali, Il Delitto Matteotti. Il Mulino, 2000]
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Mauro Canali is professor of Contemporary History at the University of Camerino and specializes in the history of the Fascist control and police system. He is the author of the first comprehensive study on the history of the Fascist political police (Le Spie del Regime, Il Mulino, 2004) and of Il Delitto Matteotti, (Il Mulino, 1997). Among his essays in English are Mussolini and His Myths, in “Sinnverlust und Sinnfindung am Anfang des 20”. Jahrhunderts, a. c. Karin Wolgast – Konigs & Neumann – 2011; Crime and Repression, in Oxford Handbook of Fascism a.c. Richard J. B. Bosworth – Oxford University Press – 2009; Ignazio Silone and the Fascist political police, in “Journal of Modern Italian Studies, 2000 vol. 5, n.1; Matteotti Murder and the Origins of Mussolini's Totalitarian Fascist Regime in Italy, in “Journal of Modern Italian Studies” - 2009 vol. 14. In 2006 Prof. Canali was a visiting professor at Harvard University. He is a member of the scientific committee of “RAI Storia” and collaborates with the Journal of Modern Italian Studies, Nuova storia contemporanea and Liberal.
Spencer Di Scala received his M.A. and Ph.D. degrees from Columbia University. He is full professor at the University of Massachusetts Boston. Among other works, he has published three books on Italian Socialism, a book on European political thought, a book on modern Italy, Italy from Revolution to Republic, 1700-Present that was a selection of the History Book Club and has gone into four editions, and histories of Europe in the twentieth century in 2004 and 2013. His book on the Italian Prime Minister during the victory of World War I appeared in 2010: Makers of the Modern World: Vittorio Orlando. Italy. His two-volume history of Twentieth Century Europe, Europe’s Long Century, appeared in 2013. He has also published more than 250 articles in professional journals, newspapers, and encyclopedias. In 1995 the Republic of Italy conferred on him the title of Commendatore (Commander) in the Order of Merit of the Italian Republic. He was elected President of the Dante Alighieri Society, the largest Italian-American cultural organization in New England, in 2009.
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Events: Reports
The event will shed light on Italy’s eternal pleasures of work and play. You will find typical Italian food, wine, aperitivi, music, dancing, and a unique auction for handwritten postcards.
The gala, which takes place once a year, brings together major writers, editors, agents, curators, filmmakers, media professionals, and booklovers to support The Common’s commitment to promote writers and works in translation around the world, sponsor public programming, and distribute notable works in handsome print and digital formats. Launched in 2011 by editor-in-chief Jennifer Acker, The Common is an award-winning print and online magazine based in Amherst College.
The magazine gets its name from the town common, where ideas were once exchanged and art displayed. It publishes literature and artwork that feature a bold modern sense of place. The Common print issues feature many established international authors as well as emerging ones. This year’s silent auction will highlight wonderful Italian design items, such as an Olivetti Valentine typewriter (donated by Salvatore Ferrante) and works of enduring literary value, such as a letterpress edition of Julius Caesar, donated by the Folio Society.
Ther will also be a unique postcard auction, in which the highest bidder gives as a gift or receives a handwritten postcard from an author of her choice. Authors who have already committed to donating postcards include Francesca Marciano, Julia Glass, Garrison Keillor, Scott Turow, Anthony Doerr, Pico Iyer, Alice Sebold, and Alexander McCall Smith.
Arthur L. Carter Journalism Institute, NYU
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