Editors’ Note: We do not doubt that the media can and have had a dilatory effect on how certain members of society may look upon others. We also realize that Italian Americans may indeed be the last punching bag for ethnic bigots in various venues. We also understand the outrage that some have expressed toward the MTV show “Jersey Shore.” What we do not understand is the truculent, vituperous, and visceral bile that has spewed forth from some people and local organizations against this program. In our opinion, two objections have proven to be thoughtful and well reasoned, regardless of whether one may agree or disagree with the reasoning offered. The first was the December program of Italics, the Italian American Magazine (now available at http://www.cuny.tv/series/italics/index.lasso), in which Andre DiMino, president of UNICO National, spoke quite eloquently to the issue at hand, underscoring what he saw as the major problems with this and other mediatic representations of Italian Americans. The second appears below, the Press Release that the National Italian American Foundation recently sent out to various news organizations and associations. We have decided to share it with our readers of i-Italy.org, precisely because of its temperate tone and acknowledgement that Italian America indeed is more pluralistic than others might think.
You chose: the situation
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I am not sure why mimicking the guido style is any better or worse than folks in a previous generation trying to be like James Dean or the pre-Godfather Marlon Brando. It is one generation’s rebellion against the previous generation. And it was the disobedience and unruly behavior, now “forgotten”, that helped to make Sinatra an icon for a particular generation. This rebellion is needed to move toward establishment of identity as a new group that is independent from the previous generation. It is outrageous that anyone should claim a specific topic is forbidden ground for interchange. It is in the reasoned discussions about such topics as guido culture that can help us as a community reach a consensus.
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Why has MTV produced a youth culture reality show that showcases Guido and Italian identity? Guido offers a symbol that specifically identifies the brand; Italian ethnicity makes the brand more salient. Guido combines a commodified youth party culture with a style that has street culture roots. [...] Guido is a struggle for recognition and respect by an age fraction that privileges consumption rather than formal education, reflecting class differences in an ethnic culture that continues to evolve in metropolitan New York City and throughout the Northeast. [...] Youth may turn more to ethnicity to authenticate their cool and preserve privileged insider status as in Hip Hop. However, this is denied by a vocal anti-defamation position that reduces Guido to a category of ethnic prejudice. It is my view that this slights a vernacular Italian American culture that ironically is better defined as a challenge to generalizations and stereotypes that underpin historic ethnic slurs.
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'Guido' is a phenomenon that demands attention. If Italian American social advance were as real, as secure, and as substantial as many Italian Americans believe it to be (I am among these believers), then it would seem not only not harmful, but indeed positively beneficial and necessary, to examine, to discuss, and to reflect upon the power of such a new word. As to the youths of Jersey Shore, they are playing grotesques, like all minstrel-show caricatures. They are amusing—indeed, more so than most clowns with sad eyes. They have clearly found their moment and clearly touched a nerve. To the term Italian American, which has carried so many strings of dollar bills and ropes of sausage, they have added a new chain of fetishes – a tanning bed, a tube of gel, an old summer thong bearing the legend “I Love the Situation.”