What do Americans think of Italian design? We asked one of the best-known and most provocative practitioners in the field, Gaetano Pesce. Here he reflects on the deeper meaning of design as a comment on reality both innovative and experimental. Though his concepts were initially new to an American public, it has always appreciated Italian design, particularly the radical brand promulgated by Pesce, since, as he puts it, “Diversity is one of the great qualities of our current moment and as individuals we are responsible for one another.” Naturally, we took advantage of the opportunity to ask him about his latest projects, too…
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We sat down for a long conversation via Skype with Paola Bernardini about her "City of Dreams Sogni", an eighteen-minute short about two runaways boys who are convinced that life must have more to offer than their own unloving mother So with their knapsacks on their backs, they wander through the magical region of Puglia, armed only with a map, a flier about a place called “City of Dreams,” and the memory of an aunt they haven’t seen in years.
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My on-going research on the Italian-American art of pebble decoration leads me to the father and grandfather of two New York State governors.
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“Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions.
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“Who, or more precisely, what is an Italian American? To some self-appointed arbiters of italianità, the answer is: Roman Catholic, conservative, and indisputably heterosexual.” If we have learned anything from the ongoing scrutiny of the Italian-American “experience” it is that said experience is any thing but singular. Italian-American histories and cultures are diverse, multifaceted, and ever open to new interpretations and revisions.
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Tenri cultural Institute (New York) presents a painting installation by the Italian young painter who moved to New York in 2005 to study abstract painting at the Art Students League. Interview with the artist Amalia Piccinini
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If critiques of movie/TV shows get beyond the criminality and make more comprehensive literary critiques of these dramas, they will find many positive literary qualities which may explain their popularity with Italian Americans.