iItaly.org

Speakers:
Monica Dugot
Senior Vice President/International Director of Restitution, Christie's;
formerly Deputy Director, Holocaust Claims Processing Office, NY State Banking Department

Jasmin Hartmann
Department for Provenance Research, City of Düsseldorf
"Non signalés par les Anglais." Provenance research on French drawings acquired in France in 1944

Ilaria Pavan
Scuola Normale Superiore di Pisa; Italian Academy Fellow 2017
Jewish persecution and looted art in Italy: evidence and denial, 1938–2015

Curated by Marco Bertoli, this exhibition is the last of a three-year project dedicated to 19th Century Italian painting. It showcases a selected group of artworks, dating from the second half of the late 1800’s to the early 1900’s, revealing how the memories of and the ties with Venice’s Republic were still alive in the decades that followed its fall.

Curated by Marco Bertoli, this exhibition is the last of a three-year project dedicated to 19th Century Italian painting. It showcases a selected group of artworks, dating from the second half of the late 1800’s to the early 1900’s, revealing how the memories of and the ties with Venice’s Republic were still alive in the decades that followed its fall.

This is Event is part of La Serenissima

Presented by the Italian Academy in partnership with Carnegie Hall.

Jordi Savall is among the foremost performers of early music in the world today. He has brought unfamiliar works of the past to millions of listeners. At Columbia, Savall will speak about the myriad musical styles and influences at play throughout the thousand-year lifespan of the Venetian Republic. This lecture will be illustrated by short musical examples.

This is event is part of "La Serenissima - Music and Arts from the Venetian Republic"

Daniel Hyde—Saint Thomas Church Fifth Avenue’s new organist and director of music—explores the hugely influential Venetian style, with works ranging from luminaries such as Giovanni Gabrieli—the organist of Venice’s venerable St. Mark’s Basilica for nearly three decades—Merula, and Vivaldi (as arranged by Bach and Walther), to 20th-century homages by Ligeti and Tippett.

This Event is part of "La Serenissima: Music and Arts from the Venetian Republic";

Venice stands as a monument to the improbable paradise where city meets sea. The Venetian Republic—also known as La Serenissima, or “the Most Serene Republic”—reached levels of maritime supremacy, democratic progressiveness, financial prosperity, and both cultural achievement and innovation, flourishing for 1,000 years before its fall to Napoleon in 1797. Carnegie Hall salutes La Serenissima’s dazzling artistic legacy with concerts that feature vocal masterpieces and virtuoso instrumental music.

Curated by Marco Bertoli, this exhibition is the last of a three-year project dedicated to 19th Century Italian painting. It showcases a selected group of artworks, dating from the second half of the late 1800’s to the early 1900’s, revealing how the memories of and the ties with Venice’s Republic were still alive in the decades that followed its fall.